All Henri de toulouse-lautrec Oil Paintings

1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),
 
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Henri de toulouse-lautrec Woman Pulling up her stocking (san22) oil on canvas


Woman Pulling up her stocking (san22)
Woman Pulling up her stocking (san22)
Painting ID::  20817 		  1' 10 3/4"x1' 6"(58x46cm) Gife of Andre Berthelemy.
  1' 10 3/4"x1' 6"(58x46cm) Gife of Andre Berthelemy.

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Henri de toulouse-lautrec Alone oil on canvas


Alone
Alone
Painting ID::  11602 		  1896 Oil on Board,1' x 1' 3 3/4''(31 x 40 cm)Gift of Florence J.Gould Foundation,1984
  1896 Oil on Board,1' x 1' 3 3/4''(31 x 40 cm)Gift of Florence J.Gould Foundation,1984

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Henri de toulouse-lautrec Woman with Gloves oil on canvas


Woman with Gloves
Woman with Gloves
Painting ID::  11603 		  Honorine Platzer 1891 1' 9 1/4'' x 1' 3 3/4''(54 x 40 cm)Gift of Societe des Amis du Louvre,1953
  Honorine Platzer 1891 1' 9 1/4'' x 1' 3 3/4''(54 x 40 cm)Gift of Societe des Amis du Louvre,1953

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Henri de toulouse-lautrec Woman with a Black Boa oil on canvas


Woman with a Black Boa
Woman with a Black Boa
Painting ID::  11604 		  1892 1' 8 3/4'' x 1' 4 1/4''(53 x 41 cm)Gift of Countess Alphonse de Toulouse-Lautrec,1902
  1892 1' 8 3/4'' x 1' 4 1/4''(53 x 41 cm)Gift of Countess Alphonse de Toulouse-Lautrec,1902

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Henri de toulouse-lautrec Henry Samary oil on canvas


Henry Samary
Henry Samary
Painting ID::  11605 		  1889 2' 5 1/2'' x 1' 8 1/2''(75 x 52 cm)Gift of Jacques Laroche,1947
  1889 2' 5 1/2'' x 1' 8 1/2''(75 x 52 cm)Gift of Jacques Laroche,1947

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     Henri de toulouse-lautrec
     1864-1901 French painter and printmaker. He is best known for his portrayals of late 19th-century Parisian life, particularly working-class, cabaret, circus, nightclub and brothel scenes. He was admired then as he is today for his unsentimental evocations of personalities and social mores. While he belonged to no theoretical school, he is sometimes classified as Post-Impressionist. His greatest contemporary impact was his series of 30 posters (1891-1901),

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